 (2025) marks a decisive evolution in Libeskind’s use of collage. While the principle of assemblage remains, the act of layering has been translated into the creation of clear, precisely defined surfaces. Inspired by a 1934 German publication of so-called “non-European” flags, these works are executed in silkscreen pigment on stretched canvas, reducing the flag to its most elemental form — skeletal outlines and contours that retain their historical charge yet appear newly abstracted.

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